There are a few plays lately that have been churning out in yer face topics. Topics that we all know of, have heard off, more than likely have first hand experience of. Homosexuality is by no means modern news, neither is it new to have it displayed on stage, in fact, it is almost seen as unnecessary by some, the visualisation and simulation of homosexual encounters. Then there's self-harm, which is no longer just associated with deviant damaged youths but instead seen as a genuine secret illness used as a coping method for unwanted feelings. And last but not least, relationships… In this play, relationships take on many different shapes and forms.

Crossings written by Clare Duffy takes such issues and weaves them in to an almost thriller/murder mystery like play, where you are faced with characters that may have problems but also possess depth and dimension. Clare Duffy's characterisation is fundamental to this play in keeping it away from the clichéd issue based drama category.

The play is set in the mud flats of the south Wales coast. The central character Jane, Michelle Luther, finds herself on an emotional journey as shes tries to uncover the reasons behind the death of her friend Sam, at the same time as struggling with her own relationship with Bethan, Eiry Huges, and trying to be the daughter that her parents wish, one that doesn't drink, self-harm, sleep with woman and drink vodka at seventeen.

Sam, Dylan Williams, who once was a promiscuous Big Issue seller, but adored by those who came close to him, haunts Jane as a ghost, and pushes her into finding some home truths. During the journey she meets Sam's ex-boyfriend Adam, Paul Amos, who is currently in a relationship with his tutor Stephen, Jamie Newall. The relationship between Adam and Stephen is a very watch-able one in dee d, where you're faced with language that might make you shuffle in your seat, but nevertheless gives you an insight into a different type of love.

Simon Harris' direction is smooth and subtle, and keeps the storyline, which has the potential to be a little tricky, easy to follow. The characters are cleverly set against a minimal background and the scenes are well balanced. He cleverly manages to bring moments to a point where the play, whether your taste or not, will reach out and grab the audience.

This play challenges stereotypes, makes you laugh, makes you sad, and makes you very glad you went to see it!