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  REVIEWS - All My Sons
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  © Richard Campbell

Image © Richard Campbell

All My Sons
Royal Lyceum Theatre
 

Written by
Arthur Miller 

Director
John Dove

Designer
Michael Taylor 

Lighting
Jeanine Davies

Cast
Stuart Milligan
Kathryn Howden
Richard Conlon
Shonagh Price
Robin Lang
Steven Cartwright
Meg Fraser
Paul Thomas Hickey
Natalie Bennett
Aidan Curran/Ben Hughes

 

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****
All My Sons
Review by Lindsay Corr, January 2007

“The torture of a bad conscience is the hell of a living soul”. John Calvin’s words remind us that guilt and regret impinge our thoughts even though we put on a happy face and get on with life. Nearly everyone has done something they lament, always focusing on failings rather than successes. Is it because it’s a form of catharsis to reflect our own blunders onto others? Or simply that it’s always easier to blame someone else and remain ignorant to our own failures? Miller’s play, which launched his status as a leading 20th Century dramatist, brutally examines ethics and morality.

Set in the aftermath of WW2 the Keller family struggle to adjust to their losses and gains as a result of the conflict. Joe (Stuart Milligan) lives with the scandal surrounding his business, accused of patching patently faulty aircraft parts and deeming them fit for use, while Kate (Kathryn Howden) lives in denial, refusing to believe her son  Larry, declared missing while flying, is dead. When second son Chris (Richard Conlon) invites Larry’s former sweetheart Annie (Shonagh Price) back to town, she proves a catalyst to bring past consequences to a head once and for all.

This searing critique of wholesome American values which challenges our materialistic pursuit of money even in times of contention, is directed with nuanced elegance by John Dove, successfully achieving control over the comic and tragic elements. Milligan delivers a rich and complex Joe, conveying a man at ease with burying his guilt yet antagonised by it, his demeanor shrinking as the play progresses. Supported by Howden’s Kate, a crusading matriarch, their interaction is a pleasure to witness. Set against Michael Taylor’s lush scenic backyard, it offers the realism needed for Miller’s Ibsen-esque style yet also symbolically highlights the isolation and monotony of each individual onstage. Pointedly droll and devastating, it challenges our reactions to change and society, highlighting that adjustment is necessary as is owning up to our responsibilities and failings.


12 January - 10 February 2007

Royal Lyceum Theatre
Grindlay Street, Edinburgh, EH3 9AX
Box Office: +44 (0) 131 248 4848

Tickets: £40 - £15 (£5 - £14)

Evenings: Tue – Sat @ 7.45pm
Matinees: 17, 20, 24, 27, 31 Jan and 3 Feb @ 2.30pm


Pre-show talk: Tues 16 Jan @ 6pm


Post show discussion: Tue 23 Jan


Audio-descriptive performances:
Thur 25 Jan@ 7.45pm, Saturday 27 Jan @ 2.30pm

Touch tour for the visually impaired: Sat 27 Jan @ 2.30pm

Signed Performance: Wed 31 Jan @ 7.45  

 
 
 
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